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Story
Of Bali, Indonesia
In this connection it is striking that the Bataks and
Menangkabau always, and the Dayaks generally, carve
the tumpal motif on these objects, the receptacles of
the Dayaks often being elaborated to an extent found
nowhere else.
These
decorations are greatly influenced by the Dong-Son and
Late Chou styles. In the course of centuries on this
basis a decorative art came into being, the motifs of
which were evolved by various tribes according to the,
own taste, motifs which have survived to tile present
day amongst both smaller and larger groups.
It
appears very probable that in Cheribon art was very
considerably, influenced by China.In any case wood carving
from this district ex habited. Chinese characteristics,
both in the motifs employed (rock' and cloud motifs)
and in technique (lacquer technique); Cheribon art thus
became something unique. But under Sultan Agung the
decorative arts were afforded a news opportunity. As
we know, this prince sought to consolidate his authority
in the state and to give the monarchy greatest influence
and postage.
In
Indonesia timber is both abundant and varied, and has
therefore always been popular in applied art, as well
as for the sculpturing of free-standing human and animal
figures.
The
most impressive wood carvings are in Java and Bali,
especially on the latter island. For reasons already
stated we shall consider the various types of carving
on these islands later.
Decorative
wood carving is applied in the most attractive way on
the houses of the Bataks, Toradja and Menangkabau. These
houses do not accommodate single families, but large
genealogical groups, or clans.
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