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Story
of Bali, Indonesia
He
tried to persuade Grantang to return to the palace and
fetch more food, but Grantang insisted on going forward.
All the traces of the monster which they met on the
way filled Tjoepak with terror; again and again he wanted
to go back. But at last they came to the ogre's palace,
set in a lovely valley and enclosed by high walls. And
they heard the princess weeping and the ogre consoling
her with the softest words he knew. They climbed a great
tamarind-tree and looked down into the garden, and Tjoepak
trembling with fright said to Grantang: 'I had better
challenge him from up here while you go down and fight,
for your voice is so weak that he will never hear it.
But tie me fast before you go.' So Grantang climbed
down and put the ogre to sleep with a spell; and the
princess fell at his feet, for he was so beautiful that
she thought he was a god. And when Tjoepak heard her
promise to marry.
Grantang
if he would save her, he shouted furiously from the
tree: 'Bring her up here. I am the elder and she belongs
to me by right.' And Grantang did so. The princess told
' him that the ogre could only be killed if he were
wounded in the mouth, so he shot an arrow into the mouth
of the monster, who had woken up and was shouting up
into the tree, and killed him. Then Tjoepak ventured
down and struck him again with the arrow and said, 'Now
he is really dead, and it was I who killed him.' On
the way back they lay down to sleep in the forest when
night fell, and Tjoepak promised to keep watch. While
they slept Ni Boetawili;, the ogre's sister, stole the
princess away, for Tjoepak was so frightened that he
pretended to be asleep.
It
is worth noting that the tumpal motif, too, appears
on the borders of some groups of patterns. Here an ancient
symbol has survived.
Many
articles of clothing were also produced by the batik
method: it addition to tile traditional head-cloth,
the dye is applied subsequently. This process, known
as plangi, produces carrying things in, slendang, and
tile breast-covering worn by women, kemben, mention
should be made of the festive garment worn by men, dodot,
and by women, sampur, each four to five yards long and
of magnificent design.
The
old batik fabrics testify to a centuries-old civilization,
ill which the dignity of the prince depended on ostentation
and beauty, and the sacred ancient patterns suggested,
more than anything else, the social position of the
wearer.
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