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On
northern Nias a complete stop was put to native dancing
at tile instigation of the missionaries. Only in the
southern half of the island did some of the old war
dances, snake dances, and graceful round dances survive.
In our survey of music we have already mentioned that
the musical Culture on the island of Flores is particularly
varied. and here the dances arc also quite different
in type. In addition to masculine war dances and ritual
sacrificial dances there are several round dances, and
also dances performed by young girls, which are characterized
by an exquisite grace.
As
mentioned before, dancing, like music, was greatly modified
by external cultural influences, both in form and in
manner of execution. This is very evident, for instance,
in south -eastern Borneo. The instruments which are
common there belong to the ancient eastern Javanese
gamelan; and we find the same Javanese influence, dating
from the Madjapahit era, in the dance,; performed by
young girls.
On
northern Nias a complete stop was put to native dancing
at tile instigation of the missionaries. Only in the
southern half of the island did some of the old war
dances, snake dances, and graceful round dances survive.
Through
a strange freak of history Bali, this like the neighboring
island of Java had adopted so much from Indian culture,
and was certainly no 'forgotten area. remained almost
certainly untouched by Islam. In the whole of Indonesia
it is only an this small island, some 2100 square miles
in area, that Hinduism has survived up to the present
day. Without doubt this was to large extent due to the
fact that the kingdom of Balarnbangan oil eastern Java,
with its Hindu. Javanese culture, was for a long time
able to resist the pressure of tile Mohammedan kingdom
of Mataram.
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